Announcing…2009 Stretch Your Dollar Contest/Plus, interview and blurb/excerpt from Jessica Shin author of “Tell me Lies” from Cerridwen PressIt’s already 01/22/09 and I’m wondering how the month has flown by so fast. Maybe because I made a commitment to myself to get it all done this year, and Mother Time took it as a challenge.
With the month of February on the horizon, I wanted to announce the beginning of the 2009 “Stretch Your Dollar Contest”.
The winner will receive a free ebook copy of my newest release, “Body Candy” which will be available 02/18/2009. Please go to my website,
http://www.taylortryst.com/ for details on how to enter.
I’ve had the honor of interviewing many great EC/CP author’s and my interview with Jessica Shin was a fun one, I tell you. “Tell Me Lies” by Jessica Shin is available through Cerridwen Press and it’s definitely on my TBR list, since I am a lover of all romantic suspense. Following her interview, Jessica has kindly provided a blurb and an excerpt, so dear friends, enjoy!
Taylor
1. Your new release from Cerridwen Press, "Tell Me Lies" looks like it's an edge of the seat suspense, would you say that writing suspense is what motivates you as an author?A lot of things motivate me, and suspense is a great example. Like building up to a love scene, suspense gives you little tastes of what’s to come, then POW – hits and delivers! In the case of Tell Me Lies, there’s lots of hits!
2. You know martial arts, which is amazing, are all of your heroines tough and able to take care of themselves? I like to write a variety of heroines, but even the ones that don’t start out strong end up that way. The metamorphosis of a character is as much a part of the story as the plotline itself, and to me there’s no real climax unless the main character has undergone a true change herself. I like to display the truth of personal change in my writing.
3. How old were you when you began training in martial arts?Probably as an infant. I have seven brothers and have been beat up more times than I care to remember! Formal training started at 15 with Tae Kwon Do, which didn’t last long. In college I took some Aikido and studied a little Jiu-Jitsu, then I took a hiatus and started with Kung Fu when I was 25.
4. You've written for as long as you can remember, is there anything else you've wanted to be besides a writer?At one point I wanted to be a veterinarian until I found out how much school is required!
5. Did you chose your genre or did it chose you?The muse is cruel, dragging me in different directions. A Rapture of Centuries is paranormal romance. The Heat and the Devil’s World is fantasy erotica. Tell Me Lies is suspense (although there are romantic elements important to the plot). I think the one thing that really drives my stories is the power of strong emotions. Both beautiful and ugly, I’m fascinated by the things that move us. Love, lust, jealousy, vengeance, honor and pride…I love them all. I want my characters to be driven, regardless of whether that drive is good or evil. After all, you need a good villain, too!
6. What other skills have you developed in life, that you believe have influenced your writing?In A Rapture of Centuries, the heroine Noelle is an IRS agent. This stemmed directly from my years working for a tax attorney. I like to keep things as real as possible, even in the fantastic setting of a paranormal environment. Drawing from real life experiences helps do that. Having been through martial arts training helped me create realistic fight scenes in Tell Me Lies. I always hate it when I’m watching a movie and I’m thinking, give me a break! They would both be dead from that…
7. What are you working on now?As usual, I have a number of different projects going. I’ve got another paranormal romance and an erotica focusing on the personal transformation of the heroine in finishing stages, and something of an urban fantasy in the infancy stage.
8. You've traveled to Europe, is there any other place you want to visit in your lifetime?I loved Europe and can’t wait to go back. The history there is incredible and most of the places I want to go have that historical draw. Other European countries, Egypt and China are places I’d love to see. Japan, too, but I’d probably spend most of my time there at the sushi bar!
9. Some authors dream about their characters, do you?Most of my dreaming takes place during the day when I’m supposed to be focused on something else. Some characters, like Adrian in Tell Me Lies, just refuse to be ignored until their story is told. They will show up unannounced and remind me about how I’ve neglected them. It’s a guilt trip, really.
10. What's the one thing you'd like your readers to know about you?I love to experience things, and it seems that every time I see something or do something…there’s a story lurking within. When I stepped inside Notre Dame in Paris, immediately I felt like I’d been transported back in time to hear a story that must be told. On a street in Brussels I saw a girl and suddenly I knew her and all her secrets. In my own back yard I heard a strange sound which certainly had to be the evil creature that had been ravaging the city. A good story can be found anywhere!
Blurb from "Tell Me Lies"Adrian Ennis has only known the life of organized crime, having been trained to be a mob assassin from age eight. Crime kingpin Ezra Drake is more like a father to Adrian than her boss and is one of the few people she feels she can trust. But when Ezra orders her to kill Tony, her friend and lover, Adrian’s perception of who is and is not her friend becomes a blurred line of blood and bullets.
When Adrian makes an unlikely ally in Atlanta PD detective Damon Wyatt, she learns the truth about her past, an unsavory web of murder and deceit that includes the destruction of her entire family. With an innocent life hanging in the balance—Tony’s ten-year-old son—Adrian has an opportunity to amend the wrongs of her past and to bring those who destroyed her life to justice…her way.
ExcerptJust when you think a hit is going to be a simple in and out, bullet to the head, off someone and be done with it, some asshole shows up and ruins things. I was cursing this particular asshole as I crouched behind an overturned cocktail table, bullets zinging by my head. Only moments before, I was a breath away from finishing the job. Hal Greenoe would be dead and my happy ass would be on its way back to Atlanta, end of story.
Unfortunately, in this version of the story Chester the Henchman yelled, “Gun!” drew his own and started firing at me. Hal hit the deck, I tipped the table like a sideshow spirit medium and managed to avoid getting a bullet in my ass, or anywhere else for that matter.
The shooting stopped for a moment. I blew an errant strand of blonde hair out of my eye and calculated the risk of sneaking a peek at the world behind the table. The area that used to be the bar was a mess of glass and liquor. It made me thirsty. The bartender, having mixed his last cosmo, lay dead over the top of the bar. That pissed me off. If I’d just been allowed to do my job that bartender could have poured me a stiff glass of bourbon and I’d be on my way.
“Fuck,” I whispered. I couldn’t stay sitting on the barroom floor, my back to the table bottom forever. I looked to my right. Thirty feet to the closest exit. Two bodies on the floor. Jesus, I thought, Chester is a really shitty shot. To my left there was an emergency exit. That would set off the alarm and probably bring the cops.
I listened intently. The band was either dead or too afraid to move or speak. I heard someone breathing hard and fast, so it seemed that at least Chester had managed not to shoot himself. I only heard one other person breathing. Where was Hal?
The sound of the magazine being released from the frame of the pistol was barely audible. It could be mistaken for any number of things. Metal sliding on the floor under someone’s shoe. A belt buckle being latched. But I knew what it was. I’d heard that sound far too many times to mistake for anything else. It was my escape.
Two seconds after I heard Chester release his empty magazine, I stood straight up. In one swift motion I turned, raised my Para Ordnance 9mm and fired a single round into Chester’s very surprised noggin. Before he hit the floor, I was heading for the exit. I had to find Hal.
He couldn’t have gone far, I reasoned. Then I heard the squealing of tires and knew that he could, in fact, soon be very far away, from the perspective of a woman standing on the street outside a shot-up club wearing three-inch heeled boots. But wait—the car was coming around the corner in front of the club. It had to. There was no exit from the rear parking lot.
I stepped back inside the door to the club and flattened my body against the wall. I saw the headlights of a big black Lincoln careen around the corner. It was just enough warning for me to step out of the darkness and start firing at the car.
I blew out two of the tires and capped the driver. The Town Car plowed into a fire hydrant, sending water shooting in all directions and burying the hydrant in the grill. I dashed around the back of the car and came around the other side to open the back door. It wasn’t even locked. Idiot.
Like it was meant to be, I slid into the backseat next to Hal Greenoe, Boston’s newest crime boss, who had taken an unfortunate interest in the Atlanta organized crime circuit. I shot the two goons who were still alive. I put my arm around Hal’s shoulders and lifted the barrel of the gun to rest underneath his chin.
“I’m Adrian,” I whispered in his ear. A fat bead of sweat rolled down the side of his balding head. “You’re finished.”